Contemporary abstract by Harry Wade, executed in acrylic on board. Blocks of glowing burnt orange, dark charcoal-brown and warm terracotta are softened by translucent pigment and visible brushwork, with pale lavender appearing through the horizontal seams between the colour fields. Presented in a minimalist, hand-stained solid wood tray frame.
-
Date / Era: 2025
Material: Acrylic on board
Dimensions: W 40 x H 50 cm
Signed: Verso
Condition: Excellent
Harry Wade (b.1995) is a multidisciplinary artist based in Cornwall, UK. His practice is centred on painting, alongside photography, moving image, sound and three-dimensional work.
Wade’s paintings respond to the landscape around him, as well as the instincts, emotions and ideas that emerge from it. His work explores internal and external landscapes, memory, place, the human condition and aesthetics, often through tactile, shape-driven compositions.
His approach ranges from expressive and gestural to more structural and geometric, with lively mark-making and a distinctive use of colour. Wade describes his paintings as imagined worlds and propositions, allowing ideas and themes to develop iteratively through the process of making.
Contemporary abstract by Harry Wade, executed in acrylic on board. Blocks of glowing burnt orange, dark charcoal-brown and warm terracotta are softened by translucent pigment and visible brushwork, with pale lavender appearing through the horizontal seams between the colour fields. Presented in a minimalist, hand-stained solid wood tray frame.
-
Date / Era: 2025
Material: Acrylic on board
Dimensions: W 40 x H 50 cm
Signed: Verso
Condition: Excellent
Harry Wade (b.1995) is a multidisciplinary artist based in Cornwall, UK. His practice is centred on painting, alongside photography, moving image, sound and three-dimensional work.
Wade’s paintings respond to the landscape around him, as well as the instincts, emotions and ideas that emerge from it. His work explores internal and external landscapes, memory, place, the human condition and aesthetics, often through tactile, shape-driven compositions.
His approach ranges from expressive and gestural to more structural and geometric, with lively mark-making and a distinctive use of colour. Wade describes his paintings as imagined worlds and propositions, allowing ideas and themes to develop iteratively through the process of making.