Harry Wade, Untitled Abstract, 2026

£650.00

Small colour-field abstract by Harry Wade, executed in acrylic on board. Distinctive blocks of deep plum, rich terracotta and dark forest green are framed by an L-shaped border of warm smoke grey. Visible brushwork creates layered, translucent depth across the colour planes. Presented in a minimalist, hand-stained solid wood tray frame.

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Date / Era: 2026

Material: Acrylic on board

Dimensions: W 20 x H 20 cm

Signed: Verso

Condition: Excellent

ABOUT THE ARTIST

Harry Wade (b.1995) is a multidisciplinary artist based in Cornwall, UK. His practice is centred on painting, alongside photography, moving image, sound and three-dimensional work.

Wade’s paintings respond to the landscape around him, as well as the instincts, emotions and ideas that emerge from it. His work explores internal and external landscapes, memory, place, the human condition and aesthetics, often through tactile, shape-driven compositions.

His approach ranges from expressive and gestural to more structural and geometric, with lively mark-making and a distinctive use of colour. Wade describes his paintings as imagined worlds and propositions, allowing ideas and themes to develop iteratively through the process of making.

Small colour-field abstract by Harry Wade, executed in acrylic on board. Distinctive blocks of deep plum, rich terracotta and dark forest green are framed by an L-shaped border of warm smoke grey. Visible brushwork creates layered, translucent depth across the colour planes. Presented in a minimalist, hand-stained solid wood tray frame.

-

Date / Era: 2026

Material: Acrylic on board

Dimensions: W 20 x H 20 cm

Signed: Verso

Condition: Excellent

ABOUT THE ARTIST

Harry Wade (b.1995) is a multidisciplinary artist based in Cornwall, UK. His practice is centred on painting, alongside photography, moving image, sound and three-dimensional work.

Wade’s paintings respond to the landscape around him, as well as the instincts, emotions and ideas that emerge from it. His work explores internal and external landscapes, memory, place, the human condition and aesthetics, often through tactile, shape-driven compositions.

His approach ranges from expressive and gestural to more structural and geometric, with lively mark-making and a distinctive use of colour. Wade describes his paintings as imagined worlds and propositions, allowing ideas and themes to develop iteratively through the process of making.