Large abstract by Maxwell Doig (b.1966), Red Gasometer, 1991, monotype on paper. Newly framed in a black-stained, waxed oak box frame, window-mounted with a linen mount and fitted with new glass.
1991, signed verso.
-
Medium: Monotype on paper
Size: W 78.2 x H 63.2 cm (framed dimensions)
Framing: Black-stained, waxed oak box frame, window-mounted with a linen mount behind glass. Professionally framed by Heron Framing, Falmouth
Condition: Good
Signed: Verso
ABOUT THE ARTIST
Maxwell Doig (b. 1966, Huddersfield) is a contemporary British artist known for his evocative mixed media paintings. He studied at the Manchester School of Art and later at the Slade School of Fine Art in London. In 1984, he met David Blackburn, who became both mentor and friend.
Doig’s work often depicts solitary figures and derelict buildings, capturing quiet, introspective moments with a sense of stillness and distance. His first post-Slade solo show was at Hart Gallery, Nottingham (1990), and he has since exhibited internationally through Albemarle Gallery, London, including in New York, Bologna, Milan, and Jersey. He has also held two solo museum shows at the Huddersfield Art Gallery. His work is held in collections including the Huddersfield Art Gallery, Jersey Arts Centre, and the Universities of Manchester and London.
Large abstract by Maxwell Doig (b.1966), Red Gasometer, 1991, monotype on paper. Newly framed in a black-stained, waxed oak box frame, window-mounted with a linen mount and fitted with new glass.
1991, signed verso.
-
Medium: Monotype on paper
Size: W 78.2 x H 63.2 cm (framed dimensions)
Framing: Black-stained, waxed oak box frame, window-mounted with a linen mount behind glass. Professionally framed by Heron Framing, Falmouth
Condition: Good
Signed: Verso
ABOUT THE ARTIST
Maxwell Doig (b. 1966, Huddersfield) is a contemporary British artist known for his evocative mixed media paintings. He studied at the Manchester School of Art and later at the Slade School of Fine Art in London. In 1984, he met David Blackburn, who became both mentor and friend.
Doig’s work often depicts solitary figures and derelict buildings, capturing quiet, introspective moments with a sense of stillness and distance. His first post-Slade solo show was at Hart Gallery, Nottingham (1990), and he has since exhibited internationally through Albemarle Gallery, London, including in New York, Bologna, Milan, and Jersey. He has also held two solo museum shows at the Huddersfield Art Gallery. His work is held in collections including the Huddersfield Art Gallery, Jersey Arts Centre, and the Universities of Manchester and London.
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